POEMS OF KALIDASA (ca. 400
CE)

THE RAINS
The rain advances like a king
In artful
majesty;
Hear, dearest, how his thunder
rings
Like royal
drums and see
His lightning-banners wave; a
cloud
For elephant
he rides,
And finds his welcome from the
crowd
Of lovers
and of brides.
The clouds, a mighty stormy
march
With
drum-like thundering
And stretch upon the rainbow’s
arch
The
lightning’s flashing string;
The cruel arrows of the rain
Smite them
who love, apart
From whom they love, with
stinging pain,
And pierce
them to the heart.
Their blossom-burden weighs the
trees;
The winds in
fragrance move;
The lakes are bright with
lotuses,
The women
bright with love;
The days are soft, the evening
clear
And
charming; everything
That moves and lives and
blossoms, dear,
Is sweeter
in the spring.
The groves are beautifully
bright
For many and
many a mile
With jasmine-flowers that are
as white
As loving
woman’s smile:
The resolution of a saint
Might well
be tried by this;
Far more, young heart that
fancies paint
With dreams
of loving bliss.
SUMMER
Pitiless heat from heaven pours
By day, but nights are cool;
Continual bathing gently lowers
The water in the pool;
The evening brings a charming peace:
For summer-time is here
When love that never knows surcease,
Is less imperious, dear.
Yet love can never fall asleep;
For he is waked today
By songs that all their sweetness keep
And lutes that softly play,
By fans with sandal-water wet
That brings us drowsy rest,
By strings of pearls that gently fret
Full many a lovely breast.
The sunbeams like the fires are hot
That on the altar wake;
The enmity is quite forgot
Of peacock and of snake;
The peacock spares his ancient foe,
For pluck and hunger fail;
He hides his burning head below
The shadow of his tail…
THE GUPTA COURT
(comparing the Gupta court to the wonders of nature)
Its mansions are your equals—
they have for your
lightning
the flash of dazzling women,
for your rainbow
arrays of paintings,
for your deep and soothing
thunder
drums beating for dance and
song,
for your core waters
floors inset with gems,
and roofs that graze the sky for your loftiness.
THE CLOUD MESSENGER
Stay for a while over the thickets, haunted
by the girls of the
hill-folk,
then press on with a faster pace, having shed your
load of water,
and you'll see the Narmada River, scattered
in torrents, by
the rugged rocks at the foot of the Vindhyas,
looking like a plastered pattern of
stripes on the flank of an
elephant.
Note by the banks the flowers of the nipa
trees, greenish
brown, with the stamens half developed,
and the plantains, displaying their new buds.
Smell the most fragrant earth of the
burnt-out woodlands
and as you release your raindrops the deer will show you
the way.
...where the wind from the Sipra River
prolongs the shrill
melodious cry of the cranes,
fragrant at early dawn from the scent of the
opening lotus,
and, like a lover, with flattering requests,
dispels the morning languor of women and
refreshes their
limbs.
Your body will grow fat with the smoke of
incense from open
windows where women dress their hair.
You will be greeted by palace peacocks,
dancing to welcome
you, their friend.
If your heart is weary from travel you may
pass the night
above mansions fragrant with flowers,
whose pavements are marked with red dye from
the feet of
lovely women.
...where yaksas1
dwell with lovely women in white mansions,
whose crystal terraces reflect the stars like flowers.
They drink the wine of love distilled from
magic trees,
while drums beat softly, deeper than the thunder.
I see your body in the sinuous creeper, your
gaze in the
startled eyes of a deer,
Your cheek in the moon, your hair in the
plumage of
peacocks,
and in the tiny ripples of the river I see
your sidelong glances,
but alas, my dearest, nowhere do I find your
whole
likeness!
1 "The Yakshas are the spirits of
the forests, fields, villages, and towns. They are also serve as the armed
forces of the Heavenly King Vaishravana." http://campross.crosswinds.net/ShuteiMandala/vedic.html
Poems are taken from: The India Sourcebook, edited by Don and Jean Johnson,
1992; supported, in part, by a grant from the Mid-Atlantic Association for Asian
Studies.